![]() He also played in Stan Getz's band between jobs with the Bill Evans trio. For a time, Haden and LaFaro shared an apartment. He replaced Charlie Haden as Ornette Coleman's bassist in January 1961. Evans, LaFaro, and Motian were committed to the idea of three equal voices in the trio, working together for a singular musical idea and often without any musician explicitly keeping time.īy late 1960, LaFaro was in demand as a bassist. With Evans and drummer Paul Motian he developed the counter-melodic style that would come to characterize his playing. In 1959, after working with trumpeter Chet Baker, bandleader Stan Kenton, vibraphonist Cal Tjader, and clarinetist Benny Goodman, LaFaro returned to the east and joined Bill Evans, who had recently left the Miles Davis Sextet. For much of 1958 LaFaro was with pianist/vibraphonist Victor Feldman's band. Fellow bassist Red Mitchell taught him how to pluck strings with both the index and middle fingers independently. He practiced from sheet music for the higher-pitched clarinet to improve his facility the upper register for bass. LaFaro spent most of his days practicing his instrument. He played in groups at the College Spa and Joe's Restaurant on State Street in downtown Ithaca.īeginning in 1955, he was a member of the Buddy Morrow big band. He left that organization to work in Los Angeles. After three months at Ithaca College, he concentrated on bass. He started playing piano in elementary school, bass clarinet in middle school, and tenor saxophone when he entered high school. He took up double bass at 18 before entering college because learning a string instrument was required of music education majors. Born in Irvington, New Jersey, the son of a big band musician, Rocco Scott LaFaro (Ap– July 6, 1961) was five when his family moved to Geneva, New York.
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